Valuing Children’s Literature (based on Children’s Literature in the Elementary School by S. Huck, Susan Helper, and Janet Hickman)

Name : Rizwan Darmawan

SID : 0708041

Class : Non-edu A 2007


Valuing Children’s Literature (based on Children’s Literature in the Elementary School by S. Huck, Susan Helper, and Janet Hickman)

According to Charlotte S. Huck, Susan Helper, and Janet Hickman in their book Children’s Literature in the Elementary School, Children’s books have to be referred to the way how children think. Children love imagination and joyful exuberance and they rarely think about their childhood. Children’s books should shows good things that happen in life. When a book close the door of hope, that means it has left the realm of childhood.

A good children’s literature must provides personal and educational value. There are six personal values; providing enjoyment, reinforcing narrative as a way of thinking, developing the imagination, offering vicarious experience, developing insight into human behavior, and presenting the universality of experience, whereas the educational value consists of language development, literature and reading, literature and writing, literature and critical thinking, literature across the curriculum, and introducing our literary heritage. Beside those two values, it also has to be added by traditional criteria (plot, setting, theme, characterization, style, point of view, and format) and special criteria (for instance, historical fiction needs added criteria for authenticity of setting).

Today, there are so many children reading adult’s literature. It is caused by the difference between children’s literature and adult’s literature is hard to find. In Children’s Literature in the Elementary School the writers note at least seven characteristics of those two kinds of literature.

Children’s Literature:

1. Reading by children

2. Limited by the experience and understanding of children

3. Does not show the feeling of nostalgia

4. Filled with childlike imagination and joyful exuberance

5. Showing good things that happen in life

6. Has the child’s eye at the center

7. Less frank

Adult’s Literature:

1. Reading by adults

2. Showing the emotion of an adult such as despair and cynicism

3. Sometimes it tells about life experience in the past

4. Less imagination

5. Might tell bad things in life

6. Seeing life like an adult does

7. Much frank

Here are some examples of children’s literature and adult’s literature:

Children’s literature:

  • Adventure of Huckleberry Finn - Mark Twain
  • The Advebture of Tom Sawyer - MarkTwain
  • Aesop's Fable - William Caxton
  • Alice's Adventure in Wonderland - Lewis Carrol
  • Anne of Green Gables - Lucy Maud Montgomery
  • At the Back of North Wind - George McDonald

Adult’s literature:

  • Virginia Woolf - Mrs. Dalloway, To The Lighthouse, Orlando
  • George Eliot - The Mill on the Floss
  • DH Lawrence - Lady Chatterley's Lover
  • Margaret Atwood -The Handmaid's Tale
  • Sir Arthur Conan Doyle - The Adventures of Sherlock Holmes
  • Karl May – Winnetou
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tugas children's adolescence literature

Name: Annisa Nuryamin

SID: 0705889

Class: Non_Edu A1


Book Report

Name : Annisa Nuryamin
SID : 0705889
Class : Non Edu A 2007
Date : September 26, 2009
Book Title : Children Literature in the Elementary School (Chapter I)
Chapter Title : Valuing Literature for Children
Author : CharlotteS. Huck, Susan Hepler, Janet Hickman


Valuing literature for children

Knowing children literature

Children introduction to literature comes in the crib as babies listen to mother Goose rhymes and nursery songs.

Commonly, children will hear stories two or three times a day. When hear the stories, they begin to identify and this process build their imagination.

Children’s literature is a part of the mainstream of all literature, whose source is life itself. Children attend to interested in illogic stories, for example “alice in the wonderland” is one of the greatest book for child.

What is children literature?

Before the 19th century only a few books were written for the specific readership of children. In this era children used to read books written for adults.

To kill mocking bird presence of child protagonist, then, doesn’t assure that the book is for children. Obviously, the line between children’s literature and adult literature is blurred.

Children literature is limited because their experience and their understanding.

E. H White said

“Anyone who writes to children is simply wasting his time”

C. S Lewis

“Children’s story was the best art form for what he had to say”

There are two kinds of values of children literature

  1. Personal values

· Provides enjoyment

· Reinforces narrative as away of thinking

· Develops their imagination

· Develops insight into human behavior

· Present the universality of experience

  1. Educational values

· Language development

· Literature and reading

· Literature and writing

· Literature and critical thinking

· Literature across the curriculum

· Introducing our literary heritage

The criteria of evaluating children books are:

  • Plot
  • Setting
  • Theme
  • Characterization
  • Style
  • Point of view
  • Illustration
  • Format
  • Comparison to others

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Bimo Koeswigiadhi P.

0707833

Non-Edu A2 2007



VALUING LITERATURE FOR CHILDREN


Before we go to children’s literature, will be better if we know first what literature really is. Many of ways of defining literature, yet in this “Children’s Literature in the Elementary School” book tells that literature as the imaginative shaping of life and thought into the forms and structures of language. The literature field is the human condition which by shaping our insights, literature illuminates life. W.H. Auden distinguished between first-rate literature and second-rate literature. Book and reader can not be separated from the experience of literature because the quality of literature must always be tempered by an awareness of its audience.

Compared to children at past that they always read child’s book which tells about fantasy such as Alice in Wonderland by Lewis Carroll or A. A. Milne’s Winnie the Pooh. Nowadays children more sophisticated and knowledgeable about certain experience of life than previous children. According to the Nielsen 1990 Report on Television, children ages 6 to 11 averages watch almost 24 hours per week. While preschooler watch 27 hours per week. Poorly, children get more crime and another violence acts when they watch television even in cartoon. At past time, several publishers rejected Madeleine L’Engle’s Meet the Austin because it started with a death. The same thing happened to Louise Fitzhugh’s Harriet the Spy which some reviewers were shocked by a mild “damn” in it. The experience and understanding of children limits the content of children’s literature. Certain emotional and psychological responses seem outside the realm of childhood. Then, cynicism and despair are not childlike emotions should not figure in a child’s book obviously. Children always think that happiness will be got when they grew up. This book says when you close the door on hope; you have left the realm childhood.

Apparently, children should be given literature by valuing literature in children’s life such as homes, especially school. First and the most things, literature has to give delight and enjoyment for children. Besides literature can entertain children, it can educate them at the same time. Delight in books is needed by children before they are engaging to master the reading skill. A love of reading and a taste for literature are the good gifts for children, for we will have began children on the way of a lifetime of pleasure with books. Second is reinforcing narratives as a way of thinking. Barbara Hardy of the University of London maintains that the narrative is the most common and effective form of ordering our world today:


We dream in narrative, day-dream in narrative, remember, anticipate, hope, despair, believe, doubt, plan, revise, criticize, construct, gossip, learn, hate, love by narrative. In order really to live, we make up stories about ourselves and others, about the personal as well as the social past and future.


Third, literature develops children’s imagination and helps them to consider nature, people, experiences, or ideas in new ways. Literature helps children to entertain ideas they never considered before-“to dwell in possibility,” as one of Emily Dickinson’s poem suggests. Some books push children to use their imaginations to solve real problem, including the need to envision a better future for the world such as The Big Book for PeacI, edited by Ann Durell and Marilyn Sachs. Then fourth, literature offers vicarious experience of adventure, excitement, and sometimes of struggle that it will give children new perspectives on the world. A history textbook tells that a quality piece of imaginative writing has the power to make the reader feel, to transport him to the deck of a slave ship and force him into the hold until he chokes on the very horror of it. Fifth, literature reflects life although no book can contain all of living. It means that literature develops insight into human behavior. Literature can show children how others have lived and become, no matter what the time or place. The last is that literature continues to ask universal questions about the meaning of life and our relationships with nature and other people. Also literature enables us to live many lives, good and bad, and to begin to see the universality of human experience.

The intrinsic values of literature should be sufficient to give it a major place in the curriculum. Characteristic of the development of all children is the phenomenal growth of language during the preschool years. Kornei Chukovsky, the Russian poet, refers to the tremendous “speech-gifted-ness of the preschool child” and maintains that “beginning with the age of two, every child becomes for a short period of time a linguistic genius.” Many studies confirm that reading aloud to children, discussing literature with children, and children’s independent reading are all positive influences on child language development.

The primary concern of evaluation, however, is a book’s literary an aesthetic qualities. Children show what they think of books by expressing their responses, but they can not critic it. Teachers and librarians need to value children’s own interpretations and judgments. At the same time, they need to help children found what practiced readers look for in a well-written book. The criteria are:

  • Plot

  • Setting

  • Theme

  • Characterization

  • Style

  • Point of view

  • Illustration

  • Format

  • Comparison to others


Knowledge of children’s classic may provide further guidance for evaluating children’s book. Certain book became classics there were very few books from which children could choose. The classics should not be exempted from reevaluation by virtue of their past veneration. What is the continuing appeal of these well-loved books for the contemporary child? Primarily, they are magnificent stories. There are adventure and suspense in Robert Louis Stevenson’s Treasure Island and The Adventures of Tom Sawyer and The Adventures of Huckleberry Finn by Mark Twain. The appeal of many of the classics is based on the type of story they represent. Many classics are fantasies; reactions of children to fantasy are similar to those of many adults, who thoroughly enjoy or completely reject the fantastic.

The award books are not always popular with children. Most of the awards are not based on popularity but on recognized excellence. Two of the most coveted awards in children’s literature are the Newbery and Caldecott Medals. The John Newbery Medal, established in 1992, is the oldest award for children’s book. It is named for John Newbery, father of children’s literature, a British publisher and bookseller of the eighteenth century. This medal is awarded to the author of the most of the most distinguished contribution to American literature for children published the preceding year. The Caldecott Medal, established in 1938, is awarded to the most distinguished American picture book for children chosen from those first published in America during the previous year. It is named for Randolph J. Caldecott, well known for his sprightly picture books depicting the country life of England.

Evaluation of a particular book for a particular child involves understanding of both literature and the background and development of the child as a reader. Since the subject matter of contemporary children’s books is changing, the need for written criteria of selection has increased. Realism in children’s books and young adult novels reflects the same range of topics that can be seen on TV, at movies, and in current bestsellers.

With the increase of both numbers of books published and objections to the selection of certain books, it is essential that schools develop a selection policy. All library groups strongly recommend that each school district develop such a written statement that governs its selection of material. Factors to be considered in such policy would include the following: who selects the materials, the quality of material, appropriate content, needs and interests of special children, school curriculum needs, providing for balance in the collection, and procedures to follow for censorship and challenged material.

For dealing with censorship, there are some rules if there is a demand for censorship. First is to recognize that anyone has the right to question specific selections. Second is to be prepared or have an accepted response process. The written selection policy statement should contain a standardized procedure to follow. The following guidelines may be useful:

  • Do not discuss the issue until you can be prepared.

  • Write out a rationale for choosing and using this book with children if you have not already done so.

  • Make copies of reviews of the questioned book from professional reviewing journals.

  • Notify you principal of the expressed confirm.

  • Explain the school’s selection policy and present copies of the reviews of the books and rationale explaining your reason for selecting it at your conference.

  • Listen to the stated concern as objectively as possible.

  • Inform the person that the material will be reconsidered by the selection committee.

  • Submit the reconsideration form to the book selection committee of librarians, teachers, and parent representatives for their discussion and decision.

  • Inform the person expressing the concern what the committee decided and why.




Based on this book, a child’s book is a book a child is reading and an adult book is a book occupying the attention of an adult. Before nineteenth century only a few books were written for children. Nowadays, children read some books that intended for adult such as All Creatures Great and Small by James Herriot. Moreover today children are more knowledgeable and sophisticated about certain life experiences. Also this book notes that the line between children’s literature and adult literature is blurred. Children's literature is for readers and listeners up to about age twelve and is often illustrated. Usually the story of children’s literature is easier to be understood. Young Adult Literature uses a wide array of themes in order to appeal to a wide variety of adolescent readers. Some of these themes include: identity, sexuality, science fiction, depression, suicide, drug abuse, alcohol abuse, familial struggles, bullying, and numerous others.

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tugas children's adolescence literature


Name : Gavra Cindy Amelis

SID : 0703765

Class : Non Edu A 2007


1. Book Report

Name : Gavra Cindy Amelis

SID : 0703765

Class : Non Edu A 2007

Date : September 17, 2009

Book Title : Children Literature in the Elementary School (Chapter I)

Chapter Title : Valuing Literature for Children

Author : CharlotteS. Huck, Susan Hepler, Janet Hickman


This report is based upon chapter one of book Children’s literature in the Elementary School, whose title is Valuing Literature for Children. This book is written by Charlotte S. Huck with Susan Hepler, and Janet Hickman. Children’s literature in the Elementary School is published by Harcourt Brace College Publisher.

This chapter tells us about literature as the imaginative shaping of life and thought into the forms and structures of language (page six column one line 23-35). Literature brightens our life by shaping our perception. Literature not only gives enrichment to personal lives of children but also offers educational contributions. A good children’s book consist of traditional criteria, special criteria, and additional criteria. But in general, there are nine crucial elements to build a good book for children: plot, setting, theme, characterization, style, point of view, illustration, format, and comparison to others. This chapter also provides guidelines to evaluate children’s literature which also explains particular characteristic to make a well-written book for children.

A book will be considered as a true classic of children’s literature if the book has been kept exist from one generation to the next by the common consent of critics and children. This chapter also mentions some award which provide criteria for the best children’s literature and also some books which have won these awards.

A lot of books are published and then we need good book selection to help children get the right book for them. To select a good materials to read, we can use Principles of Selection : Who selects the materials, Quality of material, Appropriate content, Needs and interests of children, School curriculum needs, Balance in the collection, and Selection vs. Censorship.


The importance I can get in this chapter is about some characteristics or elements that build a good children’s book. Children’s book is a book that has the child’s eye at the center.

To make a book that is intended for children, an author has to be influenced by understanding and experience of children. This chapter informs that Children seldom look back on their childhood, but always forward (page 7 column 2 line 22-24). Besides, children are curious and think positively but don’t have cynicism and despair as their emotions. This chapter will be useful for those who are interested in writing children’s book because it informs us about good children’s book characteristics.

Children’s literature gives personal benefits for children. Children’s literature not only provides pleasure and enjoyment for them, but also can educate. Reading children’s book can reinforces narrative as their way of thinking. It’s beneficial for children because narrative is the most common and effective form of ordering our world today. Literature can develop their imagination, so they can learn to make ideas in new ways. Children can add experiences and learn how to solve a problem through reading. It’s because literature offers vicarious experiences. As we know, literature reflects life and then children can develop their insight to human behavior through reading a book.

In addition to give personal benefits, Children’s literature also gives educational values. It’s important to their language development, for example they had learned to use “book language” in their storytelling. Directing children to read books will make a difference in their ability to read.

Unfortunately, I haven’t read almost all of the novels that are written in this book as examples. Those titles sound unfamiliar to me. It’s hard to me to understand the feeling that the author wants us to understand through the examples of the novels because I haven’t read the story before. From those novels titles in this chapter, I have just read Alice in Wonderland (the simplified version) and Anastasia Krupnik (Indonesian translation). So, it’s right that reading a lot makes us understand a lot.


This chapter is informative enough for those who are interesting in children’s literature. From chapter one, we know that children’s literature is truly beneficial for children but it’s also important to know how to select a good and appropriate book for children.



2. The difference between children's and adolescent literature

Actually, no sharp distinction we can find between literature for children and for adult. But this chapter informed about some differences between them.

Children's Literature :
  • is a book a child is reading
  • generally less frank
  • Rarely about looking back but always forward
  • doesn't include cynicism and despair, expects good things happen in life
  • positive thinking
  • has the child's eye at the center
  • influenced by children experiences
Adult Literature :
  • a book occupying the attention of an adult
  • much frank
  • sometimes there is the feeling of nostalgia
  • sometimes close the door on hope
  • sometimes negative thinking
  • has the adolescent eye at the center
  • influenced by adolescent experiences

3. The examples of Children's and adult literature

Some good examples of Children’s Literature and adult literature :


Children's Literature :

  • Hans Christian Andersen (1805-1875) - The Little Mermaid, The Ugly Duckling, The Emperor's New Clothes, Thumbelina
  • J. M. Barrie (1860-1937) - Peter Pan
  • L. Frank Baum (1856-1919) - The Wonderful Wizard of Oz series
  • Lewis Carroll (1832-1898) - Alice's Adventures in Wonderland, Through the Looking-Glass
  • C. S. Lewis (1898–1963) Chronicles of Narnia
  • Carlo Collodi (1826-1890) - The Adventures of Pinocchio
  • Robert Louis Stevenson (1850-1894) - Treasure Island, Kidnapped
  • Katherine Paterson - Bridge to Terabithia,
  • Beatrix Potter (1866-1943) - The Tale of Peter Rabbit,
  • J.R.R. Tolkien (1892-1973) - The Hobbit
  • Chris Van Allsburg - Jumanji, The Polar Express
  • E. B. White (1899-1985) - Charlotte's Web, Stuart Little
  • Lois Lowry – Anastasia series

Adult Literature :

  • William Shakespeare : Hamlet and Much Ado About Nothing
  • Jane Austen : Sense and Sensibility
  • H.G. Wells : War of the Worlds
  • George Orwell : Animal Farm
  • Emily Bronte : Wuthering Heights
  • Virginia Woolf : Mrs. Dalloway, To The Lighthouse, Orlando
  • George Eliot : The Mill on the Floss
  • DH Lawrence :Lady Chatterley's Lover
  • Margaret Atwood : The Handmaid's Tale
  • Sir Arthur Conan Doyle : The Adventures of Sherlock Holmes
  • John Fowles : The Magus
  • Umberto Eco : The Name of the Rose
  • Aldous Huxley : Brave New World
  • Ernest Hemingway : A Farewell To Arms

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